Bad Bunny will give two concerts in Madrid and another in Barcelona on his world tour.

Bad Bunny has announced a new world tour for 2026, which will include three performances in Spain in May of next year: on Friday, May 22 in Barcelona, ​​at the Lluis Companys Olympic Stadium, and, after going to Lisbon on the 26th, he will perform on Friday, May 30 and Saturday, May 31 at the Metropolitan Stadium in Madrid.

The Puerto Rican had already dropped hints this weekend about the location of his future concerts when plastic chairs like the ones on the cover of his album , "I Should Have Taken More Photos," appeared in stadiums around the world. on chairs in stadiums in Mexico and Argentina, for example. The venues have posted photos of the temporary furniture on their Instagram accounts.

Tickets for the concerts Tickets will be available for pre-sale this Thursday, May 8, through Live Nation starting at 1:00 PM. General ticket sales for Bad Bunny will open this Friday, May 9, at 12:00 PM. No information on pricing has been released.

The tour will serve to accompany I should have taken more photos, The sixth album by Benito Antonio Martínez Ocasio (Puerto Rico, 30 years old), released in the late afternoon/evening of January 5th, hours before Three Kings' Day. On the album, he returns to his homeland, Puerto Rico, as Carlos Marcos recounted in his review, "almost more for personal healing than for an external vindication of his roots, which he also does." And he continued: “In the song titled Eoo he explains the intentions of the album : 'You're listening to music from Puerto Rico, asshole. We grew up listening and singing this, in the hamlets, in the neighborhoods. From the 90s to 2000 forever.' He lies a little, because if the Latin artist has anything, it's an intention to reinvent genres, to stretch the formula, to go beyond, to pump new life into styles that have existed for decades. The songs on Debí Tirar Más Fotos are a feast where the attentive fan will find original discoveries here and there, as well as surprises. There are several reggaetons on this album, but it offers much more: Fania-period salsa , son, guaguancó, jíbaro music from rural areas of Puerto Rico, boleros, and also hip hop, trap and electronic music. All woven together with a very broad instrumentation, with trombones combining with synthesizers, computer programs mixed with congas, marimbas associated with rap bases. A good part of the album is performed by young people from The Free School of Music of Puerto Rico, girls and boys who exude enthusiasm, a feeling that is perceived in their energetic, inspired work."