Bandalos Chinos presents "Vándalos" in Mendoza: the new album will be played at the Bustelo.

In a year in which the band has established itself as the top reference for indie at a regional level , both in its aesthetic and musical proposal, Bandalos Chinos will kick off a new world tour with a show that will take them throughout Latin America, the United States and Spain .

“Vándalos” is the fourth album by Beccar 's band and was produced with Fermín Ugarte , who produced Dillom 's successful LPs.

Recorded entirely at COCO studios in Martínez , Bandalos Chinos expands, in this album, its sonic and poetic horizon towards new territories, in which the raw and the visceral (in its lyrical and aesthetic proposal) are combined with the refined and profound of its musical production.

Throughout its 11 tracks , Vándalos proposes a high-fidelity tour through the various paths of indie and pop .

Experts in the art of recovering classic sounds and proposals of Latin American and international pop , to reconfigure them in a contemporary and bold key , Bandalos Chinos takes another step towards the pantheon of global alternative music , with a production that raises the bar of the music industry in Argentina and Latin America .

From the string and Melotron cushion that opens the album in “Una Señal” , which brings a blast of Phil Spector ’s wall of sound , to the stadium pop of the last track, “Te Amo” (which features Fernando Samalea on drums and closes with a long, epic coda that repeats, like a mantra: “keep singing to me, I just want more” ), Beccar ’s band leads us with total naturalness and elegance through the most moving neighborhoods of pop .

Intimate piano ballads like “Revelación I” and “Viajes en el Tiempo” , club atmospheres as dense as they are psychedelic in “El Ritmo” , sexy R&B grooves that mix with references to the acoustic moments of the Flaming Lips in “Mentiras” and Latin American pop romance airs in “El Último Romántico” and “Nosotros” run through the album, leaving listeners with the powerful feeling of having experienced a wide palette of sound textures that are moving in their finesse and naturalness .

Vandals marks a milestone in the career of Bandalos Chinos , who once again seek to leave the comfort of a safe space in favor of a proposal that leaves no one indifferent .

Daring in the depth of their sound production, clear and honest in their lyrics, and bold in the directness of their new aesthetic attitude.

After the long-awaited release, in August, the band begins its world tour and on the 8th of that month , it debuts at the Ángel Bustelo Auditorium , with the momentum of a year of extensive filming and the promise of an unforgettable show , both in its staging and in the forcefulness of its musical proposal .

The group confirmed concerts in Córdoba, Rosario, Mendoza, Santa Fe, La Plata, Peru, Chile, Uruguay, Costa Rica, Colombia, Mexico, El Salvador, the United States and Spain .

With this tour, Bandalos Chinos consolidates its leadership position in the Spanish-speaking indie scene .

Success that has built so much with his previous trilogy of albums:

“BACH” (2018), “Paranoia Pop” (2020) and “El Big Blue” (2022) , as well as their indisputable box office success in each of their performances in Argentina ( historic sold out at Luna Park with “El Big Blue” ), Mexico, Colombia, Peru, Chile, the United States and Spain, and their recognition in awards such as the Gardel and the Latin Grammys .

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Presents his new album: Vandals